Anselm Chan’s The Last Dance is a contemplative and deeply emotional exploration of life’s final chapter, brought to life through stunning imagery steeped in Taoist traditions. Starring Dayo Wong and Michael Hui, the film balances its heavy themes of death and the afterlife with tender moments of human connection. While it’s a departure from CineAsia’s usual action-packed fare, The Last Dance offers a rewarding and thoughtful cinematic experience.
Despite the pandemic sending most industries into recession, debt-ridden wedding planner Dominic (Dayo WONG) gets a miraculous chance to turn things around when a funeral planner retires and passes the baton to him. His creative gimmicks for funerals help his business find unexpected success, but Dominic’s biggest obstacle is winning the approval of respected and sternly traditional Taoist priest, Master Man (Michael HUI). After some unordinary funerals, Dominic gradually understands Master Man’s code of ethics and the meaning behind each farewell.
For those unfamiliar with Taoist customs, the film serves as a visually enriching introduction. The on-screen rituals and symbolism are beautifully rendered, creating a mesmerizing tableau of cultural significance. This commitment to detail elevates the film’s quieter moments, offering viewers an appreciation of traditions that guide individuals in navigating the end of life.
The performances are the heart of the film, with Dayo Wong delivering a subdued yet powerful portrayal of a man grappling with the inevitability of mortality and earning money after Covid ends his career with wedding planning. It acts as a clever mirror image of beginnings to now with endings (And thorugh trancending other beginnings) Michael Hui brings gravitas and poignancy, adding layers to the narrative through his presence. Even though the script and direction occasionally feel formulaic, the actors imbue the story with emotional depth, making the journey feel authentic and heartfelt.
Thematically, the film can feel heavy, given its focus on death and the unknown. However, its slow-burning narrative rewards patience, culminating in a sense of closure that feels both cathartic and reflective. For those willing to embrace its meditative pace, The Last Dance offers a thought-provoking experience that lingers long after the credits roll.
Though not without its flaws, The Last Dance is a beautifully realized film that showcases the breadth of CineAsia’s lineup. It’s a welcome change of pace, offering a meaningful exploration of life, death, and the traditions that bridge the two.
The Last Dance is released in cinemas UK and Ireland 15th November
